影像与中国社会课程详细信息

课程号 01834080 学分 2
英文名称 Images and Chinese Modernity
先修课程 新闻传播学概论、传播学理论 、社会科学基础理论
中文简介   影像生产是现代社会一种重要的传播实践。随着媒介技术的发展,视觉形象已经越来越多地塑造着我们在现代社会中如何表征、表意和传播。西方社会理论已经有大量关于新视觉媒体带来的视觉体验与现代性文化之间关系的讨论。这门课的主要目的是探讨视觉媒体在20世纪和21世纪的中国现代化过程中所扮演的角色。中国现代性的独特之处在于,它的主要影响因素不是工业化,而是政治和文化激进主义,以及半殖民的经济结构。视觉科技,如印刷、摄影、电影、电视、数字技术,以及其他传播媒介,是现代文化和现代价值观被塑造和传播的重要媒介。课程安排主要以时间为线索,探讨民国、社会主义、激进主义、后社会主义等各个时期的视觉文化如何中介和塑造了中国现代性,以及这些现代性文化的表达与全球影响和本土独特性之间的关联。
英文简介 Image making is an important communicative function in modern societies. With the development of media technologies, visual images are increasingly central to how we represent, make meaning and communicate in the modern world around us. The relationship between new ways of seeing brought about by new visual technologies and the cultural experience of modernity has long been documented by western social theories. This course hopes to explore how visual technologies played a part in the modernizing experience of 20th and 21st Century China. Chinese modernity is unique in the way that it is less influenced by industrialism than by political and cultural radicalism and colonial economic conditions. Visual technologies such as printing, photography, film and television, along with other communication media, are important means through which modern ways of life are imagined and modern values mediated. The arrangement of topics is mainly historical. Visual cultures associated with the republic, socialist, radical and post socialist eras of Chinese history are discussed in terms of their mediation and creation of Chinese modernity in both its uniqueness and connection to a global pattern.
开课院系 新闻与传播学院
通选课领域 b
是否属于艺术与美育
平台课性质  
平台课类型  
授课语言 英文
教材 Practices of looking : an introduction to visual culture,Sturken, Marita,凤凰出版传媒集团,Oxford ; New York : Oxford University Press,2001;
《视觉文化》,[英]理查德·豪厄尔斯,广西师范大学出版社,2007;
参考书
教学大纲 这门课的主要目的是探讨视觉媒体在20世纪和21世纪的中国现代化过程中所扮演的角色。中国现代性的独特之处在于,它的主要影响因素不是工业化,而是政治和文化激进主义,以及半殖民的经济结构。视觉科技,如印刷、摄影、电影、电视、数字技术,以及其他传播媒介,是现代文化和现代价值观被塑造和传播的重要媒介。课程安排主要以时间为线索,探讨民国、社会主义、激进主义、后社会主义等各个时期的视觉文化如何中介和塑造了中国现代性,以及这些现代性文化的表达与全球影响和本土独特性之间的关联。
1. Modernity and Chinese Modernity
2. Visual Technologies and Modernity
3. Photography and the Colonial Gaze
4. Pictorials and Social Representation in Early 20th Century China
5. Visual Art and Progressive Cultural Movement in Nationalist China
6. Early Chinese Cinema and Its Implications for Cultural Modernity
7. Class and Gender in Leftist Films of the 1930s and 1940s
8. Social Realism in Pre-cultural revolution Image Making
9. Political Modernity and Spectacle – Images of the Cultural Revolution
10. Space and Modernity: how do architecture and landscape create social meanings
11. The Mediaspace: television and legitimation of the reform
12. A World of Desires: images of a commercial society
13. Visual Modernism during the Reform Era: the case of film
14. Visual Modernism during the Reform Era: the case of documentary film and photography
15. Identity, Politics and Visual Culture in the 21st Century: is it the end of modernity?
课堂教学(采用多媒体的教学手段)和讨论结合,调查研究与阅读结合。
课堂学习、讨论、作业40%。期中作业20%,期末论文40%。
教学评估 吴靖:
学年度学期:16-17-2,课程班:影像与中国社会1,课程推荐得分:4.22,教师推荐得分:3.91,课程得分分数段:85-90;